jdubqca

poetry by j matthew waters

Archive for the tag “Poetry”

right along the tracks


I was driving home crossing the tracks
followed by a moderate left bend
a car parked on the river side of the road
to my left a dark figure walking along the railbed
hands in jacket pockets & eyes cast downward

it was early december & the sun had all but set
creating bright streaks of color along the horizon
sparkling across the quiet wakes
the lone figure becoming darker by the second

what could he be looking for this time of day
a scarf or pair of gloves or glasses
maybe some sort of precious keepsake

suddenly I smell rock & wood & steel
as if I was right there with him
but of course by this time
it was too late for me to turn around





december two thousand twenty-three
copyright j matthew waters
all rights reserved

ambient waves


there on the beach
all the colors of the world
can be found
—all you have to do
is close your eyes
and listen

it matters not
the time of day or year
sounds echoing
colors coming & going
forever staying
in the present





december two thousand twenty-three
copyright j matthew waters
all rights reserved

Liberation


I am not native
to the land I occupy
it was never my inheritance
yet here I am in the very flesh
a man living outside
his own home
having learned less from teachers
& more from those
who had less

My spirit (on the other hand)
resides in the land I occupy
embedded into the fabric of a present
that doesn’t exist in the physical world

Evolving into death
should be a lengthy process
yet far too many have freedoms
that become death traps
resulting in body after body
recycling in the incinerator
soul after soul dying for a new life
in a land far far away





december two thousand twenty-three
copyright j matthew waters
all rights reserved

gift-wrapped


it was yesterday
all over again
living & dying
like never before
as if anything else
ever mattered

should tomorrow
present itself
as a gift-wrapped box
[complete with a
ribbon & bow]
please do not open





december two thousand twenty-three
copyright j matthew waters
all rights reserved

the end is near and everywhere else


living in a world of signs
how many of their one-word sentences
can you roll off your tongue in 10 seconds

slow stop do not enter dead end no outlet
etcetera etcetera etcetera

forget the metal street signs
what about those found in the sky
or in a book or in a bus
what of those made from cardboard
or fabric or common sense
the ones found at gatherings
whether protesting or cheering or mourning

colored chalk on concrete
spray paint on chest
magic markers in magic hands

downtown motel flashes no vacancy
corner church digitally welcoming strangers
bearded man parading
his own most obvious message
—the world will end tomorrow





december two thousand twenty-three
copyright j matthew waters
all rights reserved

well below the surface


they started stocking the fishery
with rainbow trout a couple of years ago

in the dead of winter the surface is rock solid
inviting ice skaters & parasailers
and of course ice fishermen & women

all of the fish below the ice in near freezing waters
are native except for the rainbow trout

I suppose they survive by not getting caught





december two thousand twenty-three
copyright j matthew waters
all rights reserved

the uncommoner


she stood tall like a tree
and come spring
she was beginning to bud

pick a fruit any fruit
what would you like to be
when you grow up

apples or peaches or pears
or maybe something
entirely different
like chokeberries
or hazelnuts
something much bigger
like coconuts

she stood tall like a tree
and come spring
she climbed even higher
having come to know exactly
where she wanted to be





december two thousand twenty-three
copyright j matthew waters
all rights reserved

in case of death


there I was born again
a total wreck
drenched
having just squeezed
out of the fish bowl

in the bedroom
in the lockbox
—in the second drawer
of the secretary desk
[among other things]
a sealed envelope
labeled in case of death

the things people don’t know about
existing in the dark

the things some people inherit

but the way things seem to go around here
it won’t take long
before the seal is broken
once again





december two thousand twenty-three
copyright j matthew waters
all rights reserved

the escape hatch


as far as I knew
everyone was asleep
except for me
and I can tell you
I was as quiet as a mouse

full moon shining through
casement window
I worked with pencil
on charcoal paper
sketching in
a perfect escape route

as the magical hour
drew nearer & nearer
my eyelids fluttered
[as if in REM mode]
a series of tunnels & ladders
leading me all the way back
to the beginning





november two thousand twenty-three
copyright j matthew waters
all rights reserved

jump starting the time machine


you just sit there
trying to put your finger on it
the impossible
suddenly a possibility
—and you sit there
willing this something into existence
something you can’t quite
put your finger on

small spaces
become gaping holes
[you’ve visited time & again]
just like in the movies
or a thriller novella

and so you just sit there
acting out your parts in real time
as if nothing
had ever changed
every solitary detail fully intact
right down to the dog tags
on the siamese cats





november two thousand twenty-three
copyright j matthew waters
all rights reserved

rumors


everything was calm
before the winds arrived
having traveled
from faraway places
bringing with it
hearsay & innuendo
and a little bit of destruction

whatever it was it didn’t
last long
and days later it seemed
as if nothing had happened
seemed as if
what was left behind
had been here all along





november two thousand twenty-three
copyright j matthew waters
all rights reserved

Revival


O! god of sea & air
how you lure me to the coast
breathing in your aura
permeating throughout
the here & now

O! it’s not too late
it’s never too late
slowly repairing the damage
inflicted by the excesses
of the city

O! god of sea & air
how your calling teaches me
wave after wave (after wave)
full moon arising
the night forever young





november two thousand twenty-three
copyright j matthew waters
all rights reserved

catching the crescent moon


mahogany skull made for two
handbuilt over a lunar cycle
docked at the river’s edge

crescent moon rises mid-morning
the boat made for two
crossing still waters to intersect
with the satellite
reeling her into the boat
—bringing my love back home





november two thousand twenty-three
copyright j matthew waters
all rights reserved

the next chapter


nobody knows how he does it
so they forget it & move on

it’s no news saturday
one day a week set aside for peace
you pick up the phone
and say nope
you put it back down

nature always works
always in the background
saying look at me
hike on my spine
use my arms to clear a path
my legs to keep you going


nobody knows how he does it
he’s just a freak of nature

saturdays come & go
and in between
well we’d rather not talk about it
how the weather channel was wrong
how the hostage situation
keeps getting worse

in the dining room teenagers
are playing the board game RISK
one of them eventually
dominates the entire world
vows to usher in the next chapter





november two thousand twenty-three
copyright j matthew waters
all rights reserved

arachnicity


think of the spider
industrious & unafraid
like a thief in the night
breaking & entering at will
leaving not a trace behind

that cobweb in the corner ceiling
now that’s a piece of art
snap it w/your iPhone
turn perfection into a tidy profit
courtesy of nonfungible token

of course the female
is the brains of the operation
birthing hundreds if not thousands
in one fell swoop
her counterpart [on the other hand]
a bit of a dufus
racing across a wooden floor
or swinging from the chandelier





november two thousand twenty-three
copyright j matthew waters
all rights reserved

sanctuary


sequestered from the noise
I’ve burrowed myself
deep underground
proceeded to build a home
among the rock & critters & roots

day by day the place
becomes more elaborate
having managed to harness
the break of dawn
& manipulate the waxing moon

on the walls I recorded
the art of isolation
a fairly accurate account
of my life & times
before & after the destruction





november two thousand twenty-three
copyright j matthew waters
all rights reserved

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