jdubqca

poetry by j matthew waters

there is love in the clouds


nobody’s tending the fire
it’s just burning on its own
neither controlled nor uncontrolled
emitting a stench of indifference

massacres and coup attempts
repeat like the rising of the sun
highlighting headlines on
doorsteps as death tolls escalate
and accumulate

meanwhile the fire burns
fueled by arms deals between
friends and foes
stoked by power struggles and
brokered by corrupt politicians
enabling strategic corporations

social consciousness bombards
wireless outlets with outrage
pumping up clouds until they burst
pamphlets of love falling
like rain across a world on fire


july two thousand sixteen
copyright j matthew waters
all rights reserved

the street artist and the young woman


it was the wrong shade of blue
he kept telling himself
but he kept on with the brush
and the red wine and cigarillo

passersby strolled by like museum goers
some pausing on occasion
to remark about the unfinished piece

you’re a natural beauty he told the young
woman in the yellow summer dress
sitting on a short stool and barely smiling

but there is a problem he went on to say
I am not happy with your eyes

why is that she asked worriedly
quickly rising to her feet

they’re the wrong shade of blue
he began to explain
but as he spoke her shoulders eased
and she smiled and soaked in the
painting for the very first time

oh no she said
you did a wonderful job
they’re beautiful

they’re the wrong shade of blue
he repeated
telling her to take it away
without charge
telling her to get it out of his sight
before doing something regrettable


july two thousand sixteen
copyright j matthew waters
all rights reserved

The War of the Worlds


Lines were crossed by renegade birds
twisting and shouting above the treetops
discovering yet another metropolis

Zeroing in from ground-level positions
superheroes rise between glass skyscrapers
bullets ricocheting like laser beams

There’s little room for science fiction
not when attempting to rescue a planet
speeding headlong toward self-destruction

The invasion has always come from within
often mistaken as unidentified aliens
navigating the most sophisticated machinery


july two thousand sixteen
copyright j matthew waters
all rights reserved

the first order of the second kind


abstract thoughts often lead
to concrete ideas
like barefoot ghost monks
chanting along crushed limestone

hundreds march in the woods
single file along
skyscraper-like trees
bending and moaning and hurt

pink skies become cloudy
marshmallow bruises
falling to the ground
covering all things living

ghost monks become crickets
beating back the dead
chanting toward a light
giving breath a second chance


july two thousand sixteen
copyright j matthew waters
all rights reserved

in the land of free-for-alls and firearms


summer’s promise has been smashed into
irreparable pieces
swept into the gutter along with man’s mortal sins
unable to be washed away
even by torrential rains

the pursuit of happiness is just a dying thought
riddled with contradictions

kings clench their fists and promise
real change will come
but the people in the streets shake their heads
weeping for the dead with brooms in hand

that all men are created equal they know
to be untrue
as are the history books justifying
the massacre of native peoples
and the legality of human slavery

oh America why have thou failed so many
foolishly feeding
the machine of mass destruction
your people afraid to leave their homes
a people starving for peace and love
and understanding
unconcerned with hollow words
on an idle document


july two thousand sixteen
copyright j matthew waters
all rights reserved

a volte la vedo

My poem entitled “somtimes I see her” translated into Italian & recited by Loredana Donovan

c’è questa bellezza
dentro di te
che esiste in segreto
dietro l’artificialità
delle tue abitudini quotidiane

questa bellezza dentro di te
parla con me
nei miei sogni viventi
mi permette di capire
è soffocata sotto
la tua pelle colorata

questa bellezza che è tua
muore per farsi notare
e così tu continui
a graffiare la superficie
sperando di trovarla



Please visit Loredana’s lovely poetry @ Magic of Words

View the original American English version by clicking here


july two thousand sixteen
copyright j matthew waters & loredana donovan
all rights reserved

two steps back


it was like a dream
there was concrete and many
shades of blue
I was trying to free myself
from a predicament
that had nothing to do with you

and so I crawled away
while you sailed interstellar space
not even bothering to write
(even when you had the time)
your vibe slowly fading
like a september sunflower

it was only a matter of time
before I caught up to you
(is what I kept telling myself)
but then I was yanked away
(yet again) by a jealous entity
determined to rattle
the coins out my pocket
and send me back two steps
to see where I went wrong


july two thousand sixteen
copyright j matthew waters
all rights reserved

violent was the well lit night


shots were fired overnight
like thunder and lightning
and then the rains fell
two point seven inches in all

young man staggers in
and out of shadows
low-beam street lamp
revealing bullet proof vest

sirens and flashing lights
blend in with nature
weaving through alleys
baby glocks and berettas
systematically revolving around
unrecycled neighborhoods

lights flicker off and on
frightened eyes peeking
through shadeless windows
chalk outlines on sidewalks
washed away before
cleaning crews ever arrive


july two thousand sixteen
copyright j matthew waters
all rights reserved

fallande med mörker

My original poem translated into Swedish & recited by Björn Rudberg

hon steg ombord
ett tåg i filadelfia
en röd paisley schal
i harmoni med hennes smaragdögon
täckte hennes rödbruna hår
i hennes vänstra hand en matchande väska
och i den högra en enkelbiljett

strosande från vagn till vagn
svävade hon liksom luftburen
då och då betraktandes
en ledig fönsterplats
hennes ögon sökte uppåt
den silvriga nymånen
jagandes middagssolen

omkring nittio minuter senare
fann hon sig sjäv förflyttad
till utanför ocean city
förlorad i en åskådarmassa
nästan hysteriskt skrattande
medan de långsamt
uppslukades i kolmörker



If you haven’t done so already please visit Björn’s poetry blog @ brudberg.me

View the original English version by clicking here


july two thousand sixteen
copyright j matthew waters & björn rudberg
all rights reserved

down with the darkness


she boarded a passenger
train in philadelphia
red paisley scarf
complementing her emerald eyes
and covering her auburn hair
matching bag in left hand
one-way ticket in right

strolling from car to car
she drifted as if on air
pausing occasionally at an
unoccupied window seat
darting her eyes upward
at the silvery new moon
chasing the midday sun

some ninety minutes later
she found herself transported
outside ocean city
lost in a sea of spectators
cheering nearly hysterically
as they slowly become
engulfed in total darkness


july two thousand sixteen
copyright j matthew waters
all rights reserved

delayed due to rain


we thought we’d stay awhile
and savor the moment
but then the rains came

I grabbed your hand
and we fled as fast as our
legs could possibly go

once under the bridge
we calmed our breathing
holding each other for dear life

dreaming on a bed of rock
your beating heart
kept perfect time with mine


july two thousand sixteen
copyright j matthew waters
all rights reserved

slowing down this world of mine


she didn’t feel like putting on a party dress
didn’t feel like wearing a smile
no she only felt like kicking off her shoes
and putting her legs up in the far corner

the lowly lit lounge murmured with music
spoken words mingling into a single buzz
a certain mood magically created
using black lights and easy feelings

the server briskly returned with her order
nonchalantly placing a bar napkin
and half-filled glass of sonoma chardonnay
atop the table next to the plush ottoman

three doors down the show kept going on
and she relaxed her eyes
breathing shallowly
pretending nobody wondered where she was
imagining she was anything but visible


june two thousand sixteen
copyright j matthew waters
all rights reserved

ninety-nine years of war


it was child’s play that started it all
ninety-nine air balloons
set sail over the forbidden wall

though times have changed
war machines remain relatively the same
well maintained by treasury chests
and greased by generals trained
to always shoot first

those balloons sailing high
appearing innocently in the sky
disappear systematically one by one
or two by two
or four by four
or so on and so forth




inspired by the song 99 Luftballons by the German band Nena from their 1983 self-titled album


june two thousand sixteen
copyright j matthew waters
all rights reserved

home on a monday


it’s after eight o’clock
and you’ve yet to call
my mind drifting
heart barely beating

the weekend it seems
never really existed
was merely reality
wrapped in a dream

all the miles recorded
by air and land and sea
play back repeatedly
like a silent movie

perhaps I forgot to say
I’ll be home by monday
or perhaps never said
exactly where I’d be


june two thousand sixteen
copyright j matthew waters
all rights reserved

the stillness of the heat


motionless wind chimes hang from
shepherd’s hook
a goldfinch silently perched
drenched in the spell of the summer sun

it matters not the time of day
minutes lasting hours
perhaps drifting backwards
fading shadows exposing wilted petals

the stillness of the heat lingers
unnecessarily
perfectly fixed like a photograph
beads of sweat forming on every pore


june two thousand sixteen
copyright j matthew waters
all rights reserved

the next chapter


you never know when you’re going
to get that call
lifting you off the ground
and forcing you to your knees

you rehearsed it inside your head
so many times
but none of that matters
since you’ve become paralyzed

it all begins on sacred ground
you tell yourself
your world picking up speed
rising to the occasion

underneath the surface you see
mere memories
sealed inside spacious box
sand blasted and pulverized


june two thousand sixteen
copyright j matthew waters
all rights reserved

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